Monday, September 2, 2013

A Peck of Poems (5 new, 2 fairly new).

Two poems from Wretched Beast (BuschekBooks, 2011).





A White-tailed Deer Stood Statuesque in the Curve
of the Winding Lane

The last thing your lips touched:
my skin
          and a coffee mug, Stephen's
blue-green pottery
I purchased in trade, and oh,
               I am not sentimental
but admit, I paused before washing it.

         Rag-dollish
all afternoon through these icing-white rooms
in my Wal-Mart dressing gown
and sweatsocks.

See what you've got yourself into?   

                Just me
and the leonine contour of my dog
beneath a commotion of bedclothes. This morning
we lurched across the field
I'm considering now. Snow-waves.
                          Aubergine light.

What a short poem you and I made
                    of yesterday's hike:
  … the dog stitching the woods together,
something about delicate animal tracks
stamped into the tinted snow. 

I am all basic nouns and drifts
                     in the shapes of beasts.

     Last night, a small party with writers
and trivia games. No one knew much
about the Blue Jays
or 1970s Nobel prize winners.

Each time I looked
         you were brewing coffee
and your eyes appeared sad.
  
                   And how still
the ribs of this house today, relearning
the meteorology of absence
at the water-stained table
         and in my hand-me-down bed
(where you've cracked your shins
                  and so often slept poorly).
 
Now here's a surprise:
               I have eaten the leftovers
from the gathering. Yes, even the chocolate,
and I am sick but not sorry.
 
                  When will I see you again?

I discovered your grey socks
and one pair of jockey underwear
entwined with a towel
in my dryer.

Tell me you need them.
Insist they are irreplaceable.

My hands back in dishwater;
                     this is the way
to get on with it.

Does a coffee mug have a memory?
Is the blue cobalt or smoke? 

Hours from here, you are.

-Shelley A. Leedahl

_________________________________________________

While Recovering From Breast Reduction Surgery, 
I Discover The Poetry Of Charles Wright

Bleached light and the elocution of southern birds.

                   I knew a storybook garden once.
Rock-walled, on the far side palominos
whinnied some ancient complaint
about apples. The greenhouse grapes had gone wild
as fourteen-year-old girls left alone
overnight, and lightly I stepped
        between bruised and fallen plums.

          Well, that was Scotland, and oh,
this is not. The hound dog's movie-starring
on the bed beside me, wearing his mournful eyes.
                      No one walks him
and he implores all to believe he is dying,
the way he sighs through his nose and entertains himself
                with the erratics of magpies
in the French lilac, not knowing I watch
from the metal-reinforced screen door.

            Some days
I find nothing to praise, but the American elm
grandstanding above the neighbour's grey shingles
earns a few songs this morning. Leaves still one colour
away from being named decisively green,
ventricaled limbs bullied by a 40k wind
                           but not giving in.

                         Upside-down hoop-skirt,
swaying, showing off. To be that ostentatious
on an ordinary Saskatchewan mid-morning. Just after April,
and all of the little names sink down.

                  Heat, rest: a surgeon's monosyllabia.
Pills are round white words, palm-tongued.

-Shelley A. Leedahl
_______________________________________
Five poems from the manuscript-in-progress, "Go". 

Deluge 

                                     Symphonic rain.

And I am lured in the throat-hold of night
to consider blossoming puddles
between spikes of new onion
                                                and the lupins
that follow my impenitent course, man
to man, inner city to inner city; only these flowers
(pink like nail polish marked down
to a dollar) do not fail me.
                                 ____________

                                 The sky over Edmonton:
titanic, used. Tissued in clouds
like popped off dolls’ heads. It defers
to the wheedling wind
                                                 and sirens
needle the suede of hours
into the shape of a lunging dog.

(I startle a prostitute at her trade
in the space behind my garage
when I set out the reeking trash; no lullaby,
but the truth is—
rain or not—some of us never sleep.)
                                 ___________

Ear to the pane. Ear to the past. One tires
of her chapters: windows and rain songs
and clouds of restiveness
through the solstice of years.
                                                    One becomes old
recalling rain, the children steeping in it—
barefoot, laughing—beneath the dripping elms
of another city: a drama
set hard as initials in cement
that refuse to wash away.
                                 ____________

And you, latest dreamer —
                                  naked and blissful
among feather-down pillows
plump as loaves
from the Portugese bakery —
will not miss me
in this sock-and-gown creeping
across my garden of shadows.
                            __________

Come, morning. Sooner is better.
And let us civilians splash to the library
beneath bold umbrellas, whale-skinned
in slickers and gum boots
                       like actors in a maritime movie,
and sit close to windows in coffee shops
admiring transients with wet smiles
for no one. 

-Shelley A. Leedahl     

*"Deluge" was shortlisted for Arc's "Poem of the Year" Contest, 2013
_____________________

Can’t Write Today

Because I’m not in a Mexican hammock slung between the corner-post
of a fence I helped build and a spruce tree pocked with brown birds.
Because I am no longer thoroughly alone.
Because of last night’s thunder, sky flashing in sheets and a tap-steady rain between the bedroom and bathroom walls.
Because my back itches.
Because of an unfulfilled promise of tennis.
Because of the warrior cockroach who surprised us in the stairwell of the Lisbon apartment.
Because of his photogenicity.
Because of contemporary art.
Because I’m fifty and will never fit in at art school.
Because of your hideous toenails.
Because of the dropped ring gypsy scams near the Musee d’Orsay.
Because we learned to scream Nyet!
Because there may always be tornadoes.
Because my children don’t know me.
Because of mean bus drivers.
Because of Vasco da Gama.
Because of blind beggars with dogs on the Charles Bridge.
Because of the Eiffel Tower as golden torch when viewed at night from a boat after a Fat Bikes cycling tour.
Because of the Brazilian who blamed me for her crash.
Because of the sound my feet made on the hardwood floors in the Egon Schiele Gallery in Cesky Krumlov.
Because my little brother is memory now.
Because of BB King. 
Because we were told It is not possible! by an employee at a sex club in Prague.
Because we met Rick Steves in the I.P. Pavlova metro station and his grandparents homesteaded in Edmonton.
Because of grapes and Alsatian towns.
Because of a thirty kilometre hike to Cabo de San Vicente with a sixty-two-year-old Dane named Sigrun.
Because I called her Sigrid until I knew better.
Because of swans and covered bridges in Lucerne.
Because of funiculars and the palace Michael Jackson wished to buy.
Because of cheese and sausages in a Freiburg market.
Because we spent nothing.
Because James Gandolfini died too.
Because aphids covered the lupins like snow.
Because I don’t speak to anyone.
Because of flipflops up to and all the way through Haut-Kœnigsbourg Castle.
Because of the bitchy Tourist Information woman in Belfort.
Because three times you couldn’t remember your VISA password at a cash register and lost the privilege of charging.
Because of the near-arrest in Estoril and the way sirens sound like WW2 from the back seat perspective of a cop car speeding toward Lisbon.
Because of those hard plastic seats.
Because you wouldn’t tell me why.
Because I needed to laugh and you snapped at me for covert photography.
Because of a dozen postcards I never sent.
Because there has been too much running to nowhere in the highest heat.
Because of the legend of The Cock of Barcelos.
Because of peacocks and five chicks at home in an artfully-designed B & B.
Because of being too tired to go the bullfight.
Because of Strasbourg.
Because I came in a whirlpool at Baden-Baden.
Because of Prague’s cheap beer.
Because of the porcelain skin of the woman from Macau who sat next to me on the Tap Portugal flight.
Because she now lives in England and oversees a plastics factory.
Because I still can’t speak French.
Because L’addition is cool to say in a restaurant.
Because the door opened a little.
Because of striking Swiss Air workers at the Mulhouse-Basel-Freiburg airport and their deafening party\riot\parade.
Because of this Humboldt Motors Body Shop pen.
Because of jet lag.
Because Bob Flanagan beat me to it.
Because of Monday.
Because of radio commercials.
Because a woman with hands protruding from her shoulders handled cigarettes with finesse.
Because of Portugese oysters that travel to France before returning to Portugal to be sold at ten times the price.
Because of a haunted ruin shot in sepia.
Because of baggage tags.
Because of reading glasses needed for maps.
Because my booking reference number is FG6LLD.
Because of pasteis de nata.
Because the mountain\cliff\tree\wave\boulder\village is there.
Because there’s another side.

-Shelley A. Leedahl
_______________
 .York loft and am one of those
Pennies



We are completely void of wine.
Always like that night’s I want to pretend
I live in a New York loft and am one of those
tall, lithe woman who is perpetually 32
and paints abstracts in happy colours, paints
her lovers’ bodies in abstract colours
and is mostly always happy
when she stands before her floor-to-ceiling windows
in a white linen shirt—unbuttoned—
and panties, bare feet.
             
The best thing about today should not have been
the fact that when I stepped from my car
I spotted nine pennies in the mud
and I brought them in to one-day polish,
one-day tell a grandchild about these little coppers
that feel good in the palm
or elsewhere, skin-wise.

Penny for your thoughts?
Where will all the old expressions go
now the penny’s obsolete?

On the flip side, my bank account
will soon be fatter. I am frightened of the sum
in the way one might wince near lashing animals
in zoo cages. Money is fire: I am convinced
I should not touch it.

I showed no foresight re: the lack of wine.
I stand before the pantry, wondering why
we have three roasters,
seven rolls of plastic wrap
and a blood pressure monitor
certainly no one will ever use.

Oh, and I recently turned 50.
It took a lot of wine
and pennies
to get here all the way from 1963,
but paint and New York longing
have little to do with that.

Somewhere not here there’s sophisticated jazz
and small white lights sparking off
and on like sunlight on flint
in a creekbed. Subterfuge. Cities
are best at it, and the woman
at the window is so alone
she smiles.

-Shelley A. Leedahl     

(*note: the final line is not working yet ... open to suggestions)



_____________________________________________

Smuggler Cove Marine Provincial Park

And so we park and I set my Garmin to ensure we hike at least an hour and she says be careful it’s slippery and I say is that a Douglas fir or a Western Red Cedar and she says oysters and don’t you love the way moss drips like that and I say oh yes I definitely do.

So she tells me she’s been to San Francisco fourteen times and I say I’m losing sleep because my son’s flying out with his girlfriend and what if she hates me and don’t you think if so and so was fitted with a nice pair of Levis he’d be amazingly hot and whoa close one.

And so we squeeze past three hikers and stand on a rock admiring Thormanby Island and she has friends who have a cabin there and you can’t see it but just around the bend there’s a great beach and let’s go into Vancouver for plastic surgery consults and the girlfriend’s from Germany.

So after the Canadian Pacific Railway was completed William Kelly smuggled illegal Chinese immigrants from Vancouver into the US for a buck a head and evaded arrest by hiding in Smuggler Cove and I make a note to Wikipedia that and need a hat soon plus Gay Pride Parade.

And so I slip on a bridge and muddy my gloves but don’t slide off a cliff and she says no more roller derby drama for her and she sure had a terrific meal last night at the organic restaurant and I wrap the jacket around my waist and February in Saskatchewan was never like this arbutus.


So we’re talking 182 hectares and at what point did you know your son was gay and of course I had no issues when my daughter came out and how is your daughter’s pregnancy going and are you buying RRSPs and especially the potatoes plus yellow crocuses and Scarlett if she has a girl.


And so I can’t read the minute directions on the can of bear spray from Source for Sports and do you believe this was fifty dollars and she has pierced three cocks and can’t read it either and wouldn’t it just be our luck to suffer a cougar or bear attack and be doomed by nearsightedness.
 
So we finish and it’s not even four kilometres so I say what’s down that road and ooh look at those houses on the water and wouldn’t it be fantastic and she has an artist friend who lives nearby and rescues cats and stops to stretch her back maybe $1200.

And so he has a gorgeous mouth and yes to a little lipo beneath the chin and eyelids for sure and she’s meeting her best friend for lunch and I can’t say I’ve got one and we met in a beach bar in Indonesia and hiking on the Sunshine Coast on Mondays always and what kind of duck is that.

So during Prohibition rum-rummers used the cove to store bootleg from stills on Texada Island before heading to the US and isn’t that interesting  but not quite so much as dating a cobbler and don’t spray downwind and a hotel on Market Street and tight ones and Dr. Chang but time’s up.

-Shelley A. Leedahl
____________________________________________________
    
Raspberries     

                      So dark and ripe they are
halfway to wine. Penultimate night
in this house with the sadness
I’ve nurtured
diseasing the walls. Black mould
and gravity
do their tricks. Re/max sign
on the lawn claims the house is for sale
but means I am for sale.
Who could want this
one who knows only hard work well?

I will not get to see the calla lilies bloom.

Neighbour Eileen knows
I am not eating
because I am consumed
with the garden and undone
by rampant daisies. She sends her granddaughter
with a bowl of lemon potatoes—
from my own garden. They are
slippery with butter and the best thing
I’ve ever eaten
because this near-mother prepared them
for me.

Light—I want to call it Divine—
on the crabapples. Heliopsis
like yellow stars. I will be drunk
tonight. After this watered-down margarita
there is wine from a cardboard box.

Storm approaching like a wolf.
I’ve fastened the windows and wait
for it. Now in the spruce trees,
now rattling the giant sunflowers. 
Behind the raspberries, the old compost heap.
I bashed the hell out of a mouse
with my rake
and knew the blind joy of killing.

A bald eagle plays the sky
as if prairie’s confused with coast. Sign?
Oh, but the light is all
one needs. The world stops
and even poppies hold their breath.

Mint on my hands. Dirt on my teeth.
Now, finally, I understand: everything
is everything.                          

-Shelley A. Leedahl

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