"Finding Father: Stories From
Mennonite Daughters"
Edited by Mary Ann Loewen
Published by University of Regina Press
Review by Shelley A. Leedahl
$21.95 ISBN 9-780889-775909
What do you get when you take fifteen
literary daughters writing essays
about their Mennonite fathers and combine them in one anthology? You
get Finding Father: Stories from Mennonite Daughters-a comprehensive,
compassionate, and well-written portrayal of men who were loved for all
they were, and forgiven for what they couldn't be. You get frequent
mentions of generosity; the immigrant experience (the journey and the
politics that led to it, poverty, language challenges, large families,
stoicism); great but often quiet faith; ample encouragement (particularly
re: academic aspirations … Mennonites are "people of the book"); music;
leadership; eventual illness which led to death; and, frequently, the wish
for a more emotionally intimate and physically demonstrative
relationship. You also get the personal memories-best delivered through
imagistic snapshots-that make each father-daughter relationship unique.
about their Mennonite fathers and combine them in one anthology? You
get Finding Father: Stories from Mennonite Daughters-a comprehensive,
compassionate, and well-written portrayal of men who were loved for all
they were, and forgiven for what they couldn't be. You get frequent
mentions of generosity; the immigrant experience (the journey and the
politics that led to it, poverty, language challenges, large families,
stoicism); great but often quiet faith; ample encouragement (particularly
re: academic aspirations … Mennonites are "people of the book"); music;
leadership; eventual illness which led to death; and, frequently, the wish
for a more emotionally intimate and physically demonstrative
relationship. You also get the personal memories-best delivered through
imagistic snapshots-that make each father-daughter relationship unique.
Vulnerability is at the heart of
memoir, and the talented contributors
candidly share both what pleased and pained them in their relationships
with their fathers, but as authors and subjects are both Mennonite,
"cultural artifacts"-particularly religion, whether the family adhered to the
Mennonite Brethren denomination or another-play a key position in the
dynamics. Many of the writers mentioned praying on one's knees.
candidly share both what pleased and pained them in their relationships
with their fathers, but as authors and subjects are both Mennonite,
"cultural artifacts"-particularly religion, whether the family adhered to the
Mennonite Brethren denomination or another-play a key position in the
dynamics. Many of the writers mentioned praying on one's knees.
Though the men featured contain numerous similarities in their
experience and personalities, the essays also underscore how
misguided it would be to make generalizations. Ontario's Rebecca Plett,
a cultural anthropologist, writes about coming out to her parents, and her
father's unexpected, wordless response: "My father, usually so reticent to
touch, without hesitation rose from his chair across from me, moved
around the table, and put his arms around me." She credits him for an
ability to "access a language of meaning and feeling beyond words".
Governor General Award finalist Carrie Snyder's opening essay details a
father who taught Peace and Conflict Studies, "yet his divorce from [her]
mom, after thirty-four years of marriage, was marked by extreme
atrimony," and Ruth Loewen, in "Requiem in Three Voices"-an essay
with contributions from three sisters, including Winnipeg's Mary Ann
Loewen, the book's editor-writes that after her father's stroke, "virtually
[their] entire relationship was wiped out, literally overnight." Mary Ann
comments upon how this stroke actually improved her father's "spiritual
vision" and gave him the ability to "love and accept all kinds of people".
Though "love" between each of these father-daughter duos is never in
question, it's telling how dearly many of these writers desired more
physical affection from their dads. Vancouver's Elsie K. Neufeld recalls
her father shaking her hand as he wished her "Gute Nacht," and admits
that she would "feign sleep" in order to be carried by her father from car
to bed.
This fine collection follows Loewen's Sons and Mothers: Stories from
Mennonite Men. Both books are recommended for anyone who
appreciates thoughtful nonfiction that increases understanding of one's
brethren.
THIS BOOK IS AVAILABLE AT YOUR LOCAL
BOOKSTORE OR FROM THE SASKATCHEWAN PUBLISHERS GROUP WWW.SKBOOKS.COM
__________
“Rockstar"
by Marny Duncan-Cary, illustrated by Val
Moker
Published by Your Nickel’s Worth
Publishing
Review by Shelley A. Leedahl
$14.95
ISBN 9-781988-78383
Southern Saskatchewan musician and
writer Marny Duncan-Cary has capitalized on her complementary talents: she's
taken the lyrics from a song she wrote in 2002 and has used them as the text
for an illustrated book in 2019. It's a formula she's successfully employed
before (ie: her book/song Who's That Man?
earned a silver medal in the Moonbeam Children's Book Awards in 2010). This
time the four-time Saskatchewan Country Music Award winner has transformed her
song "Rockstar," and along with vividly-colourful, full-bleed
illustrations by artist Val Moker, Duncan-Cary has produced a lively song
readers can hold in their hands.
When one is both a dedicated artist (in
any genre) who works from home and a devoted mother, juggling the necessary "me"
time and family time can be a serious challenge. (I've been there myself; my
own answer was to carve a week or two out of every year to "retreat"
and work on my writing while my children were young.) In her softcover book "Rockstar,"
Duncan-Cary exposes the everyday demands of children, like "Mom, can you
get me some juice?" and "Mom, what are we going to do today?"
and Moker brings these ordinary days to life with bold images. We see the
mother/artist protagonist with pen and paper in hand, black musical notes
floating through the pages while expressive children put on socks, play the
piano, ask for Mom's help at the computer, and, in one of my favourite
illustrations, eat snacks in a plant and flower-surrounded conservatory.
In short, this is real life. Even the
family's black cat cameos in the illustrations, and as the story progresses-we
see Mom in a pink boa and studded "Rockstar" jacket before a dressing
room mirror, stepping from a limousine, and performing on stage-the musical
notes have themselves become small whimsical characters, colouring on the walls
and climbing the kitchen cupboards. It's domestic chaos, but where there's a
will there's a way, and life inspires art.
There's a nod in the text to the music
industry's penchant for the "Young and firm," to which the author
writes "for now they'll hafta wait for me 'cause I ain't got the time!"
Professional and personality responsibilities are managed in tandem, and one
must read the story to get to the "bottom" of why the young
characters shout "Mom, I'm done!"
Duncan-Cary, who lives on an acreage
near Lumsden, and Regina's Moker are both artists (with education degrees) who
love and write about where they live: Duncan-Cary's "Music and words
convey the heart of her life in southern Saskatchewan," and Moker's
specialty is western art. I "Googled" the artists and quickly found
what I was after: a video of Duncan-Cary performing the song
that inspired the story. An endearing
performance of a slightly bluesy tune.
Congratulations to the creators for
this fun, relatable, and tangible song, and to Your Nickel's Worth Publishing
and designer Heather Nickel for the bright new package. Thumps up, as well, to
Creative Saskatchewan, who made the production of this text possible.
THIS BOOK IS AVAILABLE AT YOUR LOCAL
BOOKSTORE OR FROM WWW.SKBOOKS.COM
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